Joan had gone out in September, and for a while the weather was pleasant. The men, wrapped up in their great-coats, would sleep for preference under the great sycamore trees. Through open doorways she would catch glimpses of picturesque groups of eager card-players, crowded round a flickering candle. From the darkness there would steal the sound of flute or zither, of voices singing. Occasionally it would be some strident ditty of the Paris music-halls, but more often it was sad and plaintive. But early in October the rains commenced and the stream became a roaring torrent, and a clammy mist lay like a white river between the wooded hills. “No,” admitted Mr. Simson with generosity. “It’s only natural. It’s a fight to the finish between me and the Bourgeois. I cover them with ridicule and contempt and they hit back at me in the only way they know.”!

She felt elated at the thought that he would see her for the first time amid surroundings where she would shine. Folk came forward to meet her with that charming air of protective deference that he had adopted towards her. He might have been some favoured minister of state kissing the hand of a youthful Queen. She glanced down the long studio, ending in its fine window overlooking the park. Some of the most distinguished men in Paris were there, and the immediate stir of admiration that her entrance had created was unmistakable. Even the women turned pleased glances at her; as if willing to recognize in her their representative. A sense of power came to her that made her feel kind to all the world. There was no need for her to be clever: to make any effort to attract. Her presence, her sympathy, her approval seemed to be all that was needed of her. She had the consciousness that by the mere exercise of her will she could sway the thoughts and actions of these men: that sovereignty had been given to her. It reflected itself in her slightly heightened colour, in the increased brilliance of her eyes, in the confident case of all her movements. It added a compelling softness to her voice. She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man.

“A little child is coming,” she confided to Joan. She was quite excited about it. It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away. “I guess I’m spoiling yours, too,” he answered. “I’m not worth it. I might have done something to win you and keep you. I’m not going to do much without you.”